奇迹缔造者第一季搜索结果

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奇迹缔造者第一季
美国2019
TBS过去直接预订《奇迹缔造者 Miracle Workers》成剧,这部喜剧由《哈利波特 Harry Potter》系列主角Daniel Radcliffe,以及Steve Buscemi主演,这剧由Lorne Michaels当执行制片﹑《男追女 Man Seeking Woman》的Simon Rich主创。  这部根据Simon Rich所著一书《What in God’s Name》改篇的7集诗选剧预定在18年播出,《奇迹缔造者》是部职场喜剧,不过这个「职场」是指天堂,Daniel Radcliffe饰演低级天使Craig,负责处理全人类的祈祷,Steve Buscemi(原本是Owen Wilson,后被取代)则饰演Craig的顶头上司 - 上帝。这位上帝因为自己爱好关系而擅离职守,因此Craig为了阻止地球被毁,他得在限期前完成最不可能的奇迹。  Geraldine Viswanathan饰演Eliza,她经过在天堂收发室的500年默默耕耘﹑孜孜不倦地分类人间数十亿人的各种祈祷,终于被提拔到「祈祷回应部」。她对自己终于能为人类回复祈祷来帮助他们而感到高兴,但Eliza发现真相是仅有极少量的祈祷会得到答复,这现实泼了她一脸冷水……更要命的是这些所谓「祈祷」,只是想找到车匙或想赶上电梯这类鸡毛蒜皮小事;而身为完美主义者的她,决定在新工作第一天就处理重要「祈祷」,但这无意中引发了能毁灭地球的灾难。  Jon Bass饰演Sam,温柔体贴﹑害羞﹑善良﹑孤独的他认为自己没吸引力又没成就而感到自卑。当他遇上Laura时,爱上对方的Sam不敢有所行动,因此他决定向上帝祈祷能与Laura一起。Karan Soni饰演上帝的左右手,负责每周向上帝汇报;他性格上有点「好好先生」,因此他得尽力去应付这顽童似的上司,并与他争论一些绝对会引发大问题的主意,例如炸了Bill Maher(单口秀演员﹑清谈节目主持)……或者毁坏地球。

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造物的奇迹
其它其它1925
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

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